justrollone:

Motherships for days

whitecolonialism:

Memphis 1968, Ferguson 2014.

We’ve never witnessed an American dream, we’ve only lived an American nightmare. - Malcolm X

whitecolonialism:

Memphis 1968, Ferguson 2014.

We’ve never witnessed an American dream, we’ve only lived an American nightmare. - Malcolm X

whitecolonialism:

Memphis 1968, Ferguson 2014.

We’ve never witnessed an American dream, we’ve only lived an American nightmare. - Malcolm X

lilightfoot:

From nine years ago and of course still relevant today. Governments remain the world’s primary terrorist groups.

“Do as I say, not as I do.”

kingpushatits:

Message.

-vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me -vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me -vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me -vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me -vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me -vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me

-vvaste:

trashboat:

-vvaste:

some of the prettiest views on google street view 

do u think u are oessa u fucking punk

excuse me

(Source: google.com)

celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski
celluloidtoharddrives:

Agent Smith (Hugo Weaving)
The Matrix (1999) Written and Directed by Andy and Lana Wachowski

celluloidtoharddrives:

Agent Smith (Hugo Weaving)

The Matrix (1999) Written and Directed by Andy and Lana Wachowski

tedbunny:

Children of the Belgian Congo circa 1900. If they did not come back with enough rubber for the day, their hands would be chopped off.

jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 
jedavu:

THE DARK SIDE OF DREAMS 
In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject. 

jedavu:

THE DARK SIDE OF DREAMS 

In the late 1960’s, photographer Arthur Tress began a series of photographs that were inspired by the dreams of children. Tress had each child he approached tell him about a prominent dream of theirs which Tress would then artistically re-create and photograph with the child as the main subject.